BY PARSLEY PALETTE AND ELLIE DIXON
SOCIALS
Ellie Dixen is a 21 year old indie pop artist based in the uk, who has 17,167 monthly listeners on Spotify. Her unique and groovy vibe has won her a 2 time win at the NMG Best Female solo award in the country, and her song 'Sugar Rush' having 37,986 streams on Spotify. After releasing her most succesful song 'Space out' she has had the opportunity to release merch for it which of course raises likelihood of recognition and a way to advertise her music. Her upbeat and catchy song 'Sugar Rush' I believe has so much potential for a succesful music video.
MY IDEA
At the beginning of the song there is just an introduction of what sounds like brass instruments, this lasts about 8 seconds. I would use the camera to show off the theme of the music video overall, which would be sweet and bright. As the song is called Sugar Rush I wanted to reflect this literally so through the use of popular childrens sweets and in a candy like setting. It would begin with close up individual shots of jars of sweets, love hearts especially and the bright pastel coloured furniture.
When the singing begins I would show the main singer on her own as the spotlight to introduce her to the audience so they know her status, with her with her feat up on the table in bright clothes maybe pink with heels to reflect on the power she has, as she holds a lolly sweet almost using it to point at things and as a microphone. When she first mentions sugar rush I would show her knocking over a jar of sweets onto the floor and before it falls showing a close up of them falling. During the next verse I would change between showing her singing with the lolly stick and then looking through all the jars at the different kinds of sweets, and also close ups of the jars. The shots with the focus on her would be mainly mid shots, wide shots of some close ups to show her face.
In the second section of the song I would introduce some of the backing dancers/singers into it, who would be dressed in plain pink t-shirts with sweets on it and white skirts, to ensure the attention is not brought away from the Singer. I would choreograph a dance for them to go with the section of the music, with them using lots of bold face expressions to carry on the happy conventions the artist carries. At about 1m10 I would show the dancers lining up for the jar to be open so they could indulge in the sweet treats. This would show the power the singer has over them, and how they look up to her. These would all be wide shots, and then changing to mid as they receive there sweets. After this I would then show the backing dancers/singers excitedly run off as it leaves the singer again, who would be the shown running a bath which round sweets would fall out of, then I would cut to a close up of her face and back to show the full bath of sweets as she bathes in it and sings. This would then go on to about 1m40 where the backing singers would run back and having there heads on the bath while moving there heads side to side looking at the singer.
Shortly after this, a brass player can be heard playing music, so I would bring in another person playing it, but preferably a pink colour instrument to match the theme of my overall video. The focus would then go onto him, with close ups of him playing and extreme close ups of the instrument against his lips, and mid shots overall. I would then include the singer back into it, with her shown dancing; or 'boogying' alongside the musician. As the song gets to about 2m22s I would use the camera to capture more close ups of the singers face, her lips sucking the lollypop, and other close ups. I would not use the backing dancers/singers again at this point again as I would want the end of the song to be more focused on the main attraction which is the singer. I would then show more shots of her blowing bubbles and messing around with them as it matches the kind of mood I want in it, and her laughing with the musician. The shots would also still include ones of her picking out different kind of sweets as it is the main focus of the song, but doing other little activities such as the bubble blowing as well as.
In the very end part of the song I would show her lying on a sofa and pouring sweets into her mouth with them all falling out and then laughing, to bring back the light hearted idea overall and theme of the artist. I would also give the artist an outfit change to keep the audiences full attention on the video. As the end few seconds draw close, I would just show close ups, and mid shots of the girl smiling and dancing about but not doing too much to let the audience know the end of the song and video is nearing. As the very last show I would do one from slightly above and a mid shot of her with the lollypop and almost waving it about, so it all ties together for the end result.